#1
iek hebbe kaartge 


yaaaw zei:Zo'n dik feestje verdient wel een eigen topic vind ik..
Tis een party 3/4 april int klokgebouw in eindhoven
meer info http://www.strp.nl/index.html
Eerste namen: Aphex Twin + Hecker, Laurent Garnier, Squarepusher, Michael Mayer en Bengatering!!
Ben dr dit jaar zeker weer bij...![]()
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nu wel dus....Tim Exile, Venetian Snares, Morgan Geist, Luke Vibert, Birdy Nam Nam en Yuksek drbij. Ken ze niet allemaal ff uitchecke dus...yaaaw zei:APHEX TWIN + HECKER, LAURENT GARNIER (LIVE), SQUAREPUSHER, MICHAEL MAYER EN BENGA BEVESTIGD VOOR OPENINGSWEEKEND
Zie ik nergens staan op de site...
henkie84 zei:Aphex Twin
Venetian Snares
Squarepusher
Benga
Ik!![]()

Hoezo qua organisatie kut?RSW zei:Zo, financieel in je hol geneukt daar, dikke min honderd voor de organisatie !
Squarepusher, Aphex Twin en Luke Vibert hebben het daarintegen ruimschoots goedgemaakt, hele avond hardgegaan op een halve joint, cola en een pluche groene slang![]()
ZEE
Immersive Environment
Artificial Fog, Stroboscopes, Pulse Lights and Surround Sound, 2008
ZEE is a “mind-scape” in which artificial fog and stroboscopic light fully obscure the physical installation space, resulting in an almost complete disconnect from the without and offering an entry towards a surprise within.
Stroboscopic- and pulse light filtering through the thick fog augment an impression of a luminescent kinetic sphere wherein the environment acts as the seeding stimulant and you synthesize the impression.
Based on the research and findings with FEED, the performance, ZEE is expanding on composing with multiple interfering strobe lights amidst fog and the effects those have on a human perception and decoding apparatus: the brain.
A surround sound-scape synchronizes to interference phenomena - of what could be described as a psychedelic architecture of pure light. ZEE is an almost quiet work, seen in relation to the earlier work of Kurt Hentschläger and Granular Synthesis.
“The result is an immersive environment of flickering light in which the “real” physical world mutates into a primordial soup of pulsing sound, mist and colored light. It is both terrifying and transportive. We are in fact physiologically experiencing ”sublime light,” a light that is truly psychedelic. This is the world as viewed by a dying robot clone from the inside of a Turner landscape painting.” [from an essay on FEED by Claudia Hart]. The audience can freely roam the ZEE sphere, while the nature of the work emanates an almost automatic process of slow motion. Suspended flexible ropes, from and to the entrance gate, mark the available space and lead into- and out of ZEE.
The overall composition has no beginning or end. It is best understood as a fluctuating environment.
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